Rob Zombie unleashes The Great Satan
After months of fevered anticipation, shock-rock architect Rob Zombie has finally dropped his latest full-length, The Great Satan, out now via Nuclear Blast. The 15-track beast arrives as one of the most fully formed and audacious statements of his four-decade career—an album that leans into his Hellbilly DNA while cranking the spectacle to apocalyptic heights.
Across a career that has blurred the lines between music, horror cinema and pop culture provocation, Zombie has remained a singular force. With The Great Satan, he digs deeper into the grit and grind that defined his early years, delivering groove-laden riffs, B-movie surrealism and stadium-sized hooks in equal measure.
Watch the self-directed F.T.W. 84 video now
Coinciding with the album’s release, Zombie has unveiled the video for ‘F.T.W. 84’—a self-directed fever dream that expands the record’s twisted visual universe. It’s a blast of neon-drenched chaos and pulp horror energy, perfectly in step with the album’s snarling opener.
Elsewhere, the foot-stomping swagger of ‘(I’m a) Rock ’N’ Roller’ channels pure, grease-splattered bravado, while ‘Heathen Days’ taps into a dusty, throwback crunch. ‘Punks And Demons’ feels tailor-made for live chaos—an anthemic punch that proves Zombie is still evolving entirely on his own terms.
The Great Satan Tracklist
- F.T.W. 84
- Tarantula
- (I’m a) Rock ‘N’ Roller
- Heathen Days
- Who Am I
- Black Rat Coffin
- Sir Lord Acid Wolfman
- Punks And Demons
- The Devilman
- Out of Sight
- Revolution Motherfuckers
- Welcome To The Electric Age
- The Black Scorpion
- Unclean Animals
- Grave Discontent
Purchase/Stream The Great Satan: https://robzombie.bfan.link/the-great-satan
From White Zombie to horror auteur
Before carving out a formidable solo path, Zombie rose to prominence with White Zombie, helping define ’90s industrial metal. His solo catalogue—spanning multi-platinum releases like Hellbilly Deluxe, The Sinister Urge and Educated Horses—cemented his place as a genre-defying mainstay.
His most recent record, The Lunar Injection Kool Aid Eclipse Conspiracy, debuted at No. 9 on the Billboard 200, marking his seventh consecutive solo album to crash the Top 10.
Outside music, Zombie’s cinematic output—including House of 1000 Corpses, The Devil’s Rejects, Halloween and The Munsters—has further solidified his reputation as a boundary-pushing creative with a taste for the macabre.
Five years on from his last studio effort, The Great Satan feels less like a comeback and more like a coronation—Zombie reclaiming his throne with distortion pedals blazing and monsters in tow.
