The Chats have announced their debut album High Risk Behaviour, out March 27 on Bargain Bin Records/Cooking Vinyl Australia.
To mark this momentous
occasion the band have released an eye-watering new video for their
new single The Clap, take it in below on an empty
stomach.
This is the closest you’ll ever hear The Chats get to write a love song (that
is unless you are talking about their love of beer). A cautionary tale
about a root gone wrong (direct quote), and an STI that just wouldn’t
leave. The Clap features guitarist Pricey on vocal duties and is taken from the
forthcoming album.
The Chats have the cops
to thank for the title of their debut album, High Risk Behaviour.
If they didn’t keep hassling drummer Matt Boggis about skating in places he shouldn’t
– and giving him tickets listing that as the offence – who knows what
idiotic title the self-proclaimed “dropkick drongos from the Sunshine Coast of
Australia” would have come up with.
And yet it’s the perfect name for an album that does not fuck around. An album
that sounds like Aussie greats the Cosmic Psychos downing beers with The Saints
before doing shots with the Buzzcocks and then spewing it all up behind the
kebab van. An album that’s over in 28 blistering, funny, sweaty, unforgettable
minutes, with half of its 14 songs failing to reach the two-minute mark. Some
might call the Queensland trio lazy. Singer-bassist Eamon Sandwith sees it
differently.
“I don’t want to make the songs boring, so I just keep them short and
sweet,” shrugs the man whose mullet became an international talking point
following the success of 2017 viral hit “Smoko”. “We try not to think about it
or complicate it too much. You don’t want to force it or the song’s going to
turn out crap.”
Since forming in their mate’s bong shed in 2016 while still at high school,
that attitude has taken The Chats – completed by guitarist Josh Price, who once
wrote a song called How Many Do You Do? in which he boasted of
doing 52 “dingers” in a night – from the sleepy coastal village of Coolum
(located roughly two hours north of Brisbane) to venues around the world. Their
fanbase includes Dave Grohl, who loved the video for Smoko so
much he showed it to Josh Homme, who then asked the trio to support Queens of
the Stone Age on their 2018 Australian tour. Iggy Pop is also a card-carrying
member of The Chats’ fan club, requesting that they support him in Australia in
early 2019 and peppering them with questions like, “What’s a smoko?” and
“What’s a dart?”
The rest of 2019 was spent taking the world by storm armed with nothing more
than guitars, drums, shorts, shirts and thongs (or, if it was a formal
occasion, sandals and socks). Shows across Australia and the UK were sold out,
and they performed their first gigs in America (the LA show was attended by Homme,
Grohl and Arctic Monkeys’ frontman Alex Turner). The band capped off the year
with a return visit to Britain, selling out venues such as London’s
2,300-capacity 02 Forum.
Suffice it to say, life has changed a fair bit for The Chats over the past two
years.
“Well, I don’t have to work at the supermarket anymore,” says
Sandwith.
That he does not. In fact, Sandwith and his mates have been too busy touring,
writing songs and, when their gigs took them to Victoria, dropping into
engineer Billy Gardner’s studio in the coastal city of Geelong for a day of
recording. That they chose this piecemeal approach explains why the album took
18 months to finish – a luxury considering 2017 EP Get This In Ya took
four hours to record one hungover afternoon.
“If we’d just done a week and slogged it out we could have had an album
before now but we just kept going in there and making newer and better songs so
it’s hard to put a stop on it,” says Sandwith.
The sessions were fast. “Some of the songs were first-take and we were
like, ‘That’s good, whatever’,” says Sandwith. “We’re really
not perfectionists.”
Remarkably, they still found time to experiment with exotic instruments such
as… a tambourine.
The end product is an album that buzzes like an out-of-control chainsaw,
propelled by Sandwith’s spoken-spit-sung vocals, their
three-chords-is-one-too-many approach, and an exacting combination of youth,
vigour and drunkenness. But don’t mistake simple for stupid – if it was
easy to make songs this short, this catchy and this downright brilliant,
everyone would be doing it.
“I think they’re good songs,” says Sandwith. “And at the end of the day, if
I like it then fuck it, who cares if other people do?”
Despite being the subject of a record label bidding war, The Chats are
releasing High Risk Behaviour on their own label, Bargain Bin
Records. It’s indicative of a band that have embraced DIY culture since day
one, to the point where Sandwith used to spend his days at the post office
sending out merch orders.
“We thought, if we just do it ourselves we don’t have to worry about getting
swindled,” says Sandwith. “We’ve always done it our way.”
Their determination to do things “our way” extends to their music, which is
why High Risk Behaviour delivers everything you’ve come to
love from The Chats – only more of it – and confirms their status as
Queensland’s greatest ever export (apart from Bundy Rum).
“I just want people to have a good time,” says Sandwith of the album. “I
want them to dance around and have a beer and enjoy it. We don’t make songs for
people to look at in a fucking emotional or intellectual way. We just make
songs for people to jump around and have fun to.”
Follow The Chats:
FACEBOOK | TWITTER | INSTAGRAM | WEB
Follow Bargain Bin Records:
INSTAGRAM | WEB
HIGH RISK BEHAVIOUR TRACKLISTING:
1. Stinker
2. Drunk N Disorderly
3. The Clap
4. Identity Theft
5. Guns
6. Dine N Dash
7. Keep The Grubs Out
8. Pub Feed
9. Ross River
10. Heatstroke
11. Billy Backwash’s Day
12. 4573
13. Do What I Want
14. Better Than You
Pre-order High Risk Behaviour HERE:
The Chats are:
Eamon Sandwith bass / vocals
Josh Price – guitar / vocals
Matt Boggis on drums
Catch The Chats at the following dates in October:
October 2020
Fri 16 Southampton, 1865
Sat 17 Nottingham, Rock City
Sun 18 Bristol, 02 Academy
Mon 19 Ireland, Dublin, Olympia
Tue 20 Belfast, Limelight
Thu 22 Glasgow, Galvanizers
Fri 23 Leeds, Stylus
Sat 24 Newcastle, Boiler Shop
Sun 25 Manchester, 02 Academy
Mon 26 Brighton, Dome
Wed 28 London, Electric Brixton
Thu 29 London, Electric Brixton
Tickets available HERE (on sale 24th January 10am)
